
Twenty-four inches of production
Wide-format output for shops moving real volume — a full 24-inch print width from roll film, with the whole path open to view from the front.
The move onto a production floor
A full 24 inches, built to run every day. The move onto a production floor.

A full 24 in print width from roll film, with the whole paper path open to view from the front.
Two Epson i3200 heads fed by CMYK plus four white channels for opacity.
The move onto a production floor for shops moving real volume.

Wide-format output for shops moving real volume — a full 24-inch print width from roll film, with the whole path open to view from the front.

Two Epson i3200 heads, fed by CMYK plus four white channels for the opacity a dark garment needs.

A dedicated circulator runs the white channels so pigment does not sit still between jobs. That is what keeps an underbase opaque through a long run.

Between jobs the heads park on an auto-wet capping station, so the nozzles stay moist instead of drying and clogging.

One indicator per ink channel, on the front of the machine where you pass it, not buried in a menu.

A proximity sensor ahead of the carriage halts the machine if anything sits in its path — protecting the two parts of the printer you least want to replace.





The shaker and press matched to this printer's width and output.

Automatic powder recirculation and curing for 24 in production.
See the shaker
A 24 in shaker and dryer with a built-in fume extractor.
See the shaker
An auto-open clamshell press with interchangeable platens.
See the press
Hands-free dual-station pressing for continuous output.
See the pressRequest a live demo and watch the XL2 print before you decide — or ask us which shaker and press fit your volume.
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AI can make mistakes — your dealer confirms specs and pricing.
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